HEAL
YOUR ART
By Derek Rydall
Founder, ScriptwriterCentral.com

There's No Business Like Soul Business: A Spiritual
Path to Enlightened Screenwriting, Filmmaking, and the Performing
Arts
Excerpt from"There's No Business
Like Soul Business"
OPENING YOUR ART
"Each word before
leaving my lips seemed to have passed through all the warmth
of my blood. There was no fibre in me which did not give forth
an harmonious sound. Ah, grace! The state of grace! Each time
it is given me to touch the summit of my art, I recover that
unspeakable abandonment."
-- Eleonora Duse
THE "WAR
OF ART"
As conscious artists and enlightened-entertainers-in-training,
we have to fight a never-ending battle for our art. Or so
it seems. Our implements of war are not guns and bombs, but
awareness and attention. And the only enemy we ever truly
have to face is "the enemy within our own household."
(Mystically speaking, this refers to our consciousness.)
Finally, the greatest "act of war" we can take is
to "be still and know," to "take our bloated
nothingness out of the path of the divine circuits,"
as Emerson would say.
Still, we fight skirmishes almost daily. Mapping
out the terrain we want to conquer. "Humping it"
through the jungles of our mind, where voices echo from behind
every tree. Trudging through the thicket of our heart, where
a firefight of unresolved emotions threatens to cut us down
at every turn. Slugging through the swampland of our soul,
where strange and terrifying creatures stir just beneath the
murky depths.
And this is just to get out of bed!
Resistance. Procrastination. Competition.
Fear. Doubt. Worry. Desire. Ben & Jerry's New York Super
Fudge Chunk! These are just some of the combatants we confront
as we sneak behind enemy lines, secure the bridge, and try
to claim that frickin' hill!
But claim it we must. Whatever that hill is
to you: your daily script pages, writing a song, rehearsing
a scene, researching a character, having a production meeting.
The path to our creative potential seems riddled
with land mines. But there is a strategy to winning this war.
Ironically, however, it begins with giving up the fight. In
fact, the first step to claiming any kind of victory begins
with one simple act.
Surrender.
HEAL YOUR
"BROKEN ART"
Whether or not you consider yourself an artist, you are a
creative being by nature. Yes, even if you are a studio executive.
We were all created out of the same Creator (or Creative Intelligence),
which has endowed us with Its creative capacity.
As the ancient teaching states, "Ye are
gods." This could have just as easily said, "Ye
are creators."
That being said, many of us -- even the "artists"
-- have experienced so much criticism and negative conditioning
around creativity that we suffer from a "broken art."
And what does that feel like? Much like a broken heart, only
the core of the wound is around our artistic endeavors --
although it ultimately permeates every area of our lives and
sense of self.
Approaching the object of our artistic affection
brings up emotions akin to a jilted lover. We feel anxious,
unsure, self-doubting, angry, sad, depressed. We procrastinate
making a connection to the object of our "art."
We are bipolar in our relationship to it -- an "approach-avoidance"
pattern -- feeling both an aching to be in its warm embrace,
and a fear of getting burned by it.
We're not ourselves. We get involved in addictive,
self-destructive habits, like eating or drinking too much,
compulsively cleaning our office, mindlessly surfing the Internet,
and watching infomercials all the way through!
We think there's something wrong with us:
We're lazy, stubborn, chemically imbalanced, creatively impaired,
karmically challenged -- just plain retarded!
Maybe we're not meant to do this after all,
maybe we've been lying to ourselves all along, maybe this
whole "creative thing" is just a pipe dream -- maybe
our dad was right and we should get a "real job"!
In fact, a career in the food services industry is sounding
really good about now...
That's not the problem. You have a broken
art. Your art is aching. It has Coronary Artistry Disease!
It hasn't been given the kind of love, attention, and recognition
it needs to feel nurtured -- initially in your childhood,
then later by you.
Your broken art feels abandoned, betrayed,
wounded, stepped on, walked all over, treated like a doormat,
cheated on. And there's only one way to reverse this hardening
of the art-eries (I couldn't resist). Take off all the protective
armor, open your art, and risk breaking it all over again.
Everything in this book is geared, in one
way or another, to giving you back to yourself, to reconnecting
you with your heart and your art - and making a living at
it. By doing the work in these pages, you are taking a big
step on the road to recovery. But you'll need to do some very
specific things to really heal your art. The rest of this
chapter is dedicated to that.
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the Complete Book Now
FEED THE
"STARVING ARTIST"
I've already talked about the destructive effects of Starving
Artist Syndrome. If you believe you have to be starving in
some hovel to create great art, you'll set up a personal law
-- through the power of your belief -- that manifests as either
living in a shack while you slave away at your craft, living
abundantly but too guilty to create at all, or giving up altogether
in favor of a career that affords you something other than
mac 'n' cheese.
The problem with this thinking, besides being
a false concept of the creative process, is that it sets up
an "either-or" mindset. Damned if you do and...
well, you know. But that's not how life operates. There is
no lack in this infinitely abundant universe.
The key is to think in terms of "this
AND that," versus "this or that." You can choose
to be rich AND brilliant. Pacino, Streep, and Hanks are all
pretty good actors AND have made a few bucks. Spielberg, Fincher,
Eastwood, and Howard are powerful directors AND their bank
accounts are doing okay. Ron Bass, Akiva Goldsman, and Steve
Zallian are Academy Award-winning screenwriters AND million-dollar
ones. At the height of Picasso's career, he could doodle on
a napkin and pay for anything.
That's artistic success, baby!
But feeding the starving artist in you goes
beyond merely the monetary aspects. If you harbor a withholding
consciousness toward yourself in this area, you're likely
to be depriving yourself in other ways as well. It's like
the idea of spiritual ascetics, who think the way to God is
by starving themselves, isolating themselves, and sleeping
on a bed of nails!
While I understand their reasons, and bless
their path, I don't believe you need to torture yourself to
reach enlightenment. And I don't believe you need to chew
glass or contort yourself into bone-numbing postures to achieve
artistic Nirvana either.
You don't need to be in painful, insane relationships
that end in bloody betrayal and heartbreak in order to write
deep, passionate love stories or love songs -- even if Tom
Petty supposedly did just that to rip songs out of his soul.
And you don't need to be a neurotic mess to be a great writer
or actor -- although I knew an actress who refused to get
therapy for fear that if she "healed" she wouldn't
be able to act any more!
I'm not passing judgment. Every artist has
a right to put themselves through hell to create something
heavenly. But I am challenging the idea that you have to suffer
for your art. Suffering is not a requirement, it's a choice.
In every moment. In every project.
The point is, it's not an either-or issue.
You can have great art AND happiness. You can create great
work AND be a functional person. You can get your act together
-- and still have enough material to write that second act!
If you're living in the world of normal human
beings, I guarantee you've got a warehouse full of painful
experiences to draw on -- more than you could use in a lifetime.
And if that's not good enough, look around. The world is full
of suffering. Millions of people have already done the heavy
lifting -- and continue to. Just be empathetic, compassionate,
and perceptive, and you'll have a palette full of all the
emotional pain you'll ever need to cover the canvas of your
creative life.
So how do you "starve" your artistic
self? Like I've touched on, if you're harboring a belief that
good art comes out of pain or suffering, on some level you'll
create painful circumstances; you'll sabotage relationships
that could've otherwise thrived; you'll blow opportunities
that could've fulfilled your creative and practical needs;
you'll send a message to the universe that says, "I'm
not worthy," "I can't have all of my needs met,"
"I don't deserve to be happy," "I'm afraid
if I'm fulfilled, I'll become artistically empty."
There's a reason many artists are unhappy,
broke, in dysfunctional relationships, and on an emotional
rollercoaster -- and it's not because that's the nature of
artists. It's also not because people with emotional or mental
problems are more likely to become artists than healthy people.
It's because of the ego's long-running war to rid the world
of art and its inherent power to set us free.
The dimension that art arises from is a mystery
with the capacity to transform the soul. That's a big threat
to the ego's reign. And over the centuries it has sought to
scare us away from this realm -- or at least render us relatively
impotent in it -- by deriding, judging, and spreading a smear
campaign about it.
This has conspired to create a limited belief
system around the creative endeavor, a belief system powered
by our fear, a belief system that becomes our experience when
we accept it. Many creative people have consciously or unconsciously
signed this contract and bought into its litany of lies. And
because "a lie acts as law until it is neutralized"
many artists continue to starve themselves, believing there
is a famine -- when in fact they are
surrounded by fields "white unto the harvest" and
"cattle on a thousand hills." In other words, unlimited
wealth and abundance!
So how do you release these lies and reap
this bountiful harvest? First, you become conscious of the
false contracts you signed under duress -- and tear them up.
Next, you create a new contract in consciousness by affirming
the truth of your divine birthright:
I am a thriving artist!
I am rich AND artistically fulfilled
I am happy AND dynamically creative
I have a totally abundant life AND I'm a prolific creative
genius!
And then you begin acting as if it's so.
This might mean "getting therapy"
and becoming a healthy, functional person again. (If you're
reading this book, I imagine you're willing to do this.) It
might also mean being willing to have a healthy romantic relationship
that lasts longer than a few months, trusting that you can
still write great love stories or songs without all the drama
and theatrics in your real life.
It might mean that you become willing to "adopt
a life of luxury," as Deepak Chopra says. This will look
different for different people. But essentially it looks like
having enough of what you need -- more than enough -- an abundance
of everything.
You might be thinking, "Well, of course
I want this, what do you think I am, a masochist?" No,
not consciously. But the mind always moves toward its definition
of pleasure. So if you're experiencing lack, limitation, pain,
or suffering in any chronic way, you're getting a psychological
or emotional "payoff" from it.
Feeding the starving artist also means nourishing
your creative self by living a life of variety and adventure.
It means breaking out of habits and routines; taking a different
route home, eating at a different place and eating something
you never thought you would, shopping at a different store,
traveling to a different vacation spot, hanging out with different
people, reading books and magazines you wouldn't otherwise
look at. Feeding the starving artist within you means being
open and available to the infinite creative input and possibilities
that exist in every moment.
Rather than living in lack and suffering to
generate creative expression, a sacred artist binges on a
banquet of abundance, variety, sensual, soulful, and spiritual
possibilities. Can you imagine what you could create out of
that alchemy? Life really is a cornucopia of delights. Let
your inner artist feast on it until it is fat and jolly with
fulfillment. Then watch it burst forth with a level of creative
strength and stamina heretofore unimagined.
-------------------------------------------------------------------
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the Complete Book Now
The nephew of legendary film director, Don
Siegel (Dirty Harry, Invasion of the Body Snatchers), Derek
Rydall got his start in show business as an actor, ultimately
starring in several film and TV projects. Currently, he is
a best-selling author, produced screenwriter, international
script consultant, inspirational speaker, and founder of ScriptwriterCentral.com
and EnlightenedEntertainer.com.
As a writer/consultant, Derek has helped people
around the world develop books, scripts, TV shows (drama,
family, animated), make 6-figure deals, raise millions in
financing, and even direct, produce, and star in their award-winning
movies. He's been a staff writer for Fox and Disney, developed
projects for several companies (Universal, Miramax, RKO, UA,
Saturn, Wildrice, Longbow), as well as many independent producers,
and co-wrote the longest running drama play in L.A. history,
"Welcome Home Soldier".
Altogether Derek has sold, optioned, or been
hired to write over 20 scripts, a dozen hours of broadcast
TV, and a half dozen books -- including a #1Best-Selling screenwriting
book, "I
Could've Written a Better Movie than That! How to Make 6-Figures
as a Script Consultant" and "There's
No Business Like Soul Business: A Spiritual Path to Enlightened
Screenwriting, Filmmaking, and Performing Arts."
Additionally, Derek is a licensed spiritual
success coach who has trained top executives in Fortune 500
companies and coached thousands of artists and entertainment
professionals on how to walk a more empowered, purpose-driven
path in show business, and create conscious content that has
a positive impact on the planet.
“As a screenwriter, Derek Rydall has
sold, optioned, or been hired on assignment for over 20 film
and TV projects. He has developed projects for the producer
of Ghost, RKO, U/A, Miramax, Saturn (Nick Cage), and many
indie producers, as well as worked as a staff writer for Fox,
Disney, and Deepak Chopra. As a story consultant/script doctor,
Derek has helped writers, producers, actors, and directors
turn books into screenplays, secure millions in financing,
make six-figure script deals, get hired to exec produce, direct,
star in their movies, obtain major distribution, and win awards.
And as an author, Derek's book, I Could've Written a Better
Movie than That!: How to Make Six Figures as a Script Consultant--
Even if You're Not a Screenwriter, is due out October by Michael
Wiese Publishing.
For more info, you can check out his sites:
www.scriptwritercentral.com
www.enlightenedentertainer.com
email derek@scriptwritercentral.com
or call (661) 296-4991
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